Content

info
2018-05-27 13:15:45
Painting series |Veils and Flowers|

|Detail|

|2018|

Artist in residence
Antony Gormley Estate, Norfolk UK


|140cm x 140cm|
Oil, ink and acrylic on linen
2018
Painting series |Veils and Flowers||Detail||2018|Artist in residenceAntony Gormley Estate, Norfolk UK|140cm x 140cm|Oil, ink and acrylic on linen
|Veils and Flowers 3||2018|Artist in residenceAntony Gormley Estate, Norfolk UK|140cm x 140cm|Oil, ink and acrylic on linen
|Veils and Flowers 2||2018|Artist in residenceAntony Gormley Estate, Norfolk UK|140cm x 140cm|Oil, ink and acrylic on linen
|Veils and Flowers 1||2018|Artist in residenceAntony Gormley Estate, Norfolk UK|140cm x 140cm|Oil, ink and acrylic on linen
|Veils and Flowers||Installation View||2018|Artist in residenceAntony Gormley Estate, Norfolk UK|140cm x 140cm|Oil, ink and acrylic on linen
|Veils and Flowers||Installation View||2018|Artist in residenceAntony Gormley Estate, Norfolk UK|140cm x 140cm|Oil, ink and acrylic on linen
|Veils and Flowers||Installation View||2018|Artist in residenceAntony Gormley Estate, Norfolk UK|140cm x 140cm|Oil, ink and acrylic on linen
Ripen At Home|2018||Installation View||Solo Exhibition|Ripen At Home looks at the brevity of the expression used to market fruit that is currently inedible alongside the footsteps taken in the passing of time towards the opportune moment or ripening of time. The domestic staple of the fruit bowl and it’s anticipated abundance is explored through a new body of paintings and sculpture that seek to lead us to imagine immaterial states inspired by the green that lurks at the bottom of the bowl, on an unspoken journey.Unit 1 Gallery Workshop London
Ripen At Home|2018||Installation View||Solo Exhibition|Ripen At Home looks at the brevity of the expression used to market fruit that is currently inedible alongside the footsteps taken in the passing of time towards the opportune moment or ripening of time. The domestic staple of the fruit bowl and it’s anticipated abundance is explored through a new body of paintings and sculpture that seek to lead us to imagine immaterial states inspired by the green that lurks at the bottom of the bowl, on an unspoken journey.Unit 1 Gallery Workshop London
Ripen At Home|2018||Installation View||Solo Exhibition|Ripen At Home looks at the brevity of the expression used to market fruit that is currently inedible alongside the footsteps taken in the passing of time towards the opportune moment or ripening of time. The domestic staple of the fruit bowl and it’s anticipated abundance is explored through a new body of paintings and sculpture that seek to lead us to imagine immaterial states inspired by the green that lurks at the bottom of the bowl, on an unspoken journey.Unit 1 Gallery Workshop London
|Installation View||Ripen At Home|50cm x 50cmPen, acrylic and oil on canvas|From left to right|Beach StrawberryMiniature Prickly PearsHoney And CreamAnjou To WilliamsFlorida GrownUnit 1 Gallery Workshop London
|Installation View||Ripen At Home|45cm x 35cmPen, acrylic and oil on linen|Scotch 1 and 2|Unit 1 Gallery Workshop London
|Deserted Beaches||65cm x 30cm||Fresh Snow||65cm x 30cm ||Wet Cement||65cm x 40cm|Pen, crayon,acrylic and oil on linen|Ripen At Home|Unit 1 Gallery Workshop London
Ripen At Home|2018||Installation View||Solo Exhibition|Ripen At Home looks at the brevity of the expression used to market fruit that is currently inedible alongside the footsteps taken in the passing of time towards the opportune moment or ripening of time. The domestic staple of the fruit bowl and it’s anticipated abundance is explored through a new body of paintings and sculpture that seek to lead us to imagine immaterial states inspired by the green that lurks at the bottom of the bowl, on an unspoken journey.Unit 1 Gallery Workshop London
|Installation View||Left|(From top to bottom)|Deserted Beaches||65cm x 30cm||Fresh Snow||65cm x 30cm ||Wet Cement||65cm x 40cm||Right||Balloon Ride||150cm x 180cm|Pen, crayon,acrylic and oil on linen|Ripen At Home|Unit 1 Gallery Workshop London
Ripen At Home|2018||Installation View||Solo Exhibition|Ripen At Home looks at the brevity of the expression used to market fruit that is currently inedible alongside the footsteps taken in the passing of time towards the opportune moment or ripening of time. The domestic staple of the fruit bowl and it’s anticipated abundance is explored through a new body of paintings and sculpture that seek to lead us to imagine immaterial states inspired by the green that lurks at the bottom of the bowl, on an unspoken journey.Unit 1 Gallery Workshop London
|Installation View||Ripen At Home|50cm x 50cmPen, acrylic and oil on canvas|From left to right|The SpruceSweetheartTickled PinkSanta RosaCoralstarUnit 1 Gallery Workshop London
|It Will Sprout Eventually|100cm x 100cmPen, crayon,acrylic and oil on canvas|Ripen At Home|Unit 1 Gallery Workshop London
|Last Year's Crop|150cm x 180cmPen, crayon,acrylic and oil on linen|Ripen At Home|Unit 1 Gallery Workshop London
It's So Cold, If I Were To Have A Fruit Bowl All My Plums Would Be Stones(Blue and red)65cm x 55cmx 35cm (approx)|Calabash cast in terracotta, glazed and stained with pigment|Plant pot, yoga mat, paint|Ripen At Home|Unit 1 Gallery Workshop London
2017
Out Of Season|2017|Digital Print, C Type Ed. 542 x 59cmFeatured in issue 5 of Fireflies ZineOut Of Season was a commission to respond to Angela Schanelec's film the Afternoon. The following monologue ruminated:'This afternoon I really wanted an ice cream. But while I was sitting there, I suddenly lost my appetite. It was a pity. I'd been so looking forward to it. I had already imagined it. The taste, the feeling on the tongue. Its softness and coldness. The warm taste of vanilla. I don't know why I didn't want one any more.'The original sculpture is from a series exhibited in the Ace Hotel London as part of Ceramic Arts London.The month-long exhibition featured Emma Corrall, Tamsin van Essen, Anja Lubach and Ian Mcintyre.Click here for more information about the group exhibition
|They Said It Would Be Finished By The Summer|2017| Installation View||Cast porcelain gingers|Resin|Ice cream cones|Plasticine|Sand|Bucket Exhibited in group exhibition titled |And the Horizon Was Dying Over the Tourist|.And the Horizon Was Dying Over the Tourist is an exhibition gathering new works by Maha Ahmed, Kristaps Ancāns, Emma Corrall and Nicola Lorini. Curated by Federico Sargentone, the exhibition analyses the dynamics of contemporary nomadism and ubiquity through sculptural objects, paintings and forms of discourse that reside in the space between them.Republic Gallery2 Clove Crescent, Poplar, London E14 2BE7-6 September 2017Open daily 11-5pm PV 6 September 6-9pm
|They Said It Would Be Finished By The Summer|2017| Installation View||Cast porcelain gingers|Resin|Ice cream cones|Plasticine|Sand|Bucket Exhibited in group exhibition titled |And the Horizon Was Dying Over the Tourist|And the Horizon Was Dying Over the Tourist is an exhibition gathering new works by Maha Ahmed, Kristaps Ancāns, Emma Corrall and Nicola Lorini. Curated by Federico Sargentone, the exhibition analyses the dynamics of contemporary nomadism and ubiquity through sculptural objects, paintings and forms of discourse that reside in the space between them.Republic Gallery2 Clove Crescent, Poplar, London E14 2BE7-6 September 2017Open daily 11-5pm PV 6 September 6-9pm
|They Said It Would Be Finished By The Summer|2017| Installation View| Cast porcelain gingers, resin, ice cream cones, plasticine, sand and bucketExhibited in group exhibition titled 'And the Horizon Was Dying Over the Tourist'.And the Horizon Was Dying Over the Tourist is an exhibition gathering new works by Maha Ahmed, Kristaps Ancāns, Emma Corrall and Nicola Lorini. Curated by Federico Sargentone, the exhibition analyses the dynamics of contemporary nomadism and ubiquity through sculptural objects, paintings and forms of discourse that reside in the space between them.Republic Gallery2 Clove Crescent, Poplar, London E14 2BE7-6 September 2017Open daily 11-5pm PV 6 September 6-9pm
|They Said It Would Be Finished By The Summer|2017| Installation View||Cast porcelain gingers|Resin|Ice cream cones|Plasticine|Sand|Bucket Exhibited in group exhibition titled |And the Horizon Was Dying Over the Tourist|And the Horizon Was Dying Over the Tourist is an exhibition gathering new works by Maha Ahmed, Kristaps Ancāns, Emma Corrall and Nicola Lorini. Curated by Federico Sargentone, the exhibition analyses the dynamics of contemporary nomadism and ubiquity through sculptural objects, paintings and forms of discourse that reside in the space between them.Republic Gallery2 Clove Crescent, Poplar, London E14 2BE7-6 September 2017Open daily 11-5pm PV 6 September 6-9pm
|They Said It Would Be Finished By The Summer|2017| Installation View||Cast porcelain gingers|Resin|Ice cream cones|Plasticine|Sand|Bucket Exhibited in group exhibition titled |And the Horizon Was Dying Over the Tourist|And the Horizon Was Dying Over the Tourist is an exhibition gathering new works by Maha Ahmed, Kristaps Ancāns, Emma Corrall and Nicola Lorini. Curated by Federico Sargentone, the exhibition analyses the dynamics of contemporary nomadism and ubiquity through sculptural objects, paintings and forms of discourse that reside in the space between them.Republic Gallery2 Clove Crescent, Poplar, London E14 2BE7-6 September 2017Open daily 11-5pm PV 6 September 6-9pm
I Will Take A Few Deep Breathes And Find A New Way Of Thinking About It|2017|04.17 min click here to view the video in fullThe work ‘I Will Take A Few Deep Breathes And Find A New Way Of Thinking About It’ explores the volatile nature of anticipating and planning for the future. Both hope and anxiety dwell beside whole-hearted plans for greatly awaited events. The video questions the desire to seek out travel plans and notions of idyllic palm trees alongside the quest for pursuing spiritual fulfillment. The work aims to address the idea of projecting your mind to a time where you will feel contentment. Source material for the choreography is often derived from yoga or the fitness industry, where individuals adopt a self imposed intensity through practice and repetition to ally ideas and goals more viscerally within their minds. The stability of habitual behaviour and the irrational nature of intuition are presented without hierarchy. The aim of refusing to qualifying or make a distinction between familiar routine and instinctual behaviour is to remove the sense of expectancy and to open up a new space without any pressure to perform. The soundtrack to this video is composed by Seayool Kim who confronts and explores the rarified nature of traditional Korean instruments. Exhibited in a solo show titled 'I Left Enough Room For Dancing', supported by Seongbuk Art Commons, Seoul
|Penciled In Travel Plans|2017|Exhibited in solo show titled |I Left Enough Room For Dancing|| 33 x 124 x 33 cmSupported by Seongbuk Art Commons in conjunction with Seoul Biennale for Architecture and Urbanism.
|I Left Enough Room For Dancing|Installation view|Bruise Protection|2017||(3x) 40 x 40 x 40 cm (approx)|Plastic non-slip floor matting|Shoe laces|Mattress protector fabric|EmbroiderySupported by Seongbuk Art Commons in conjunction with Seoul Biennale for Architecture and Urbanism
|I Left Enough Room For Dancing|2017|Solo Exhibition| Installation viewProjection of video on to traditional Korean Hanji paper. Click here to view | I Will Take A Few Deep Breathes And Find A New Way Of Thinking About It| in full.The soundtrack, composed by Seayool Kim, played both inside and outside of the temple.Black vinyl and paint pen drawing on windows.Sculpture with ceramic DayGlo avocados and string titled |Have You Ever Made A Mandala?|Supported by Seongbuk Art Commons in conjunction with Seoul Biennale for Architecture and Urbanism.
|I Left Enough Room For Dancing|2017|Solo Exhibition| Installation view|Drawing on black vinylSupported by Seongbuk Art Commons in conjunction with Seoul Biennale for Architecture and Urbanism.
|I Left Enough Room For Dancing|2017|Solo Exhibition| Installation view|Drawing on black vinyl|Bruise Prevention|Some People Like To Wiggle From The RootThe works within the exhibition ‘I Left Enough Room For Dancing’ explore the volatile nature of anticipating and planning for the future. Both hope and anxiety dwell beside whole-hearted plans for greatly awaited events. The artworks question the desire to seek out travel plans and notions of idyllic palm trees alongside the quest for pursuing spiritual fulfilment. Collectively the work aims to address the idea of projecting your mind to a time where you will feel contentment. Source material for the works are often derived from yoga or the fitness industry, where individuals adopt a self imposed intensity through practice and repetition to ally ideas and goals more viscerally within their minds. Other materials include bedding seen in many homes and non-slip plastic matting found in public restrooms, all of which have a strong sense of purpose and expected use. As a result an environment is created where the stability of habitual behaviour and the irrational nature of intuition are presented without hierarchy. The aim of refusing to qualifying or make a distinction between familiar routine and instinctual behaviour is to remove the sense of expectancy and to open up a new space without any pressure to perform.Supported by Seongbuk Art Commons in conjunction with Seoul Biennale for Architecture and Urbanism.
|Some People Like To Wiggle From The Root||2017||(6x) 40 x 40x 40 cm|Mattress protector fabric hoods|Embroidery|MascaraExhibited in |I Left Enough Room For Dancing|Supported by Seongbuk Art Commons in conjunction with Seoul Biennale for Architecture and Urbanism
Have You Ever Made A Mandala?|2017|Cast porcelain avocados coated in dayglo pigment| stringExhibited in solo show titled, 'I Left Enough Room For Dancing'. Supported by the Seongbok Art Commons in conjunction with Seoul Biennale for Architecture and Urbanism.
|I Left Enough Room For Dancing|2017|Solo Exhibition| Installation view|Drawing on black vinylThe works within the exhibition ‘I Left Enough Room For Dancing’ explore the volatile nature of anticipating and planning for the future. Both hope and anxiety dwell beside whole-hearted plans for greatly awaited events. The artworks question the desire to seek out travel plans and notions of idyllic palm trees alongside the quest for pursuing spiritual fulfilment. Collectively the work aims to address the idea of projecting your mind to a time where you will feel contentment. Source material for the works are often derived from yoga or the fitness industry, where individuals adopt a self imposed intensity through practice and repetition to ally ideas and goals more viscerally within their minds. Other materials include bedding seen in many homes and non-slip plastic matting found in public restrooms, all of which have a strong sense of purpose and expected use. As a result an environment is created where the stability of habitual behaviour and the irrational nature of intuition are presented without hierarchy. The aim of refusing to qualifying or make a distinction between familiar routine and instinctual behaviour is to remove the sense of expectancy and to open up a new space without any pressure to perform.Supported by Seongbuk Art Commons in conjunction with Seoul Biennale for Architecture and Urbanism.
|I Left Enough Room For Dancing|2017|Solo Exhibition| Installation view|Drawing on black vinylThe works within the exhibition ‘I Left Enough Room For Dancing’ explore the volatile nature of anticipating and planning for the future. Both hope and anxiety dwell beside whole-hearted plans for greatly awaited events. The artworks question the desire to seek out travel plans and notions of idyllic palm trees alongside the quest for pursuing spiritual fulfilment. Collectively the work aims to address the idea of projecting your mind to a time where you will feel contentment. Source material for the works are often derived from yoga or the fitness industry, where individuals adopt a self imposed intensity through practice and repetition to ally ideas and goals more viscerally within their minds. Other materials include bedding seen in many homes and non-slip plastic matting found in public restrooms, all of which have a strong sense of purpose and expected use. As a result an environment is created where the stability of habitual behaviour and the irrational nature of intuition are presented without hierarchy. The aim of refusing to qualifying or make a distinction between familiar routine and instinctual behaviour is to remove the sense of expectancy and to open up a new space without any pressure to perform.Supported by Seongbuk Art Commons in conjunction with Seoul Biennale for Architecture and Urbanism.
I Left Enough Room For Dancing|2017|Solo Exhibition| Installation viewProjection of video on to traditional Korean Hanji paper. Click here to view|I Will Take A Few Deep Breathes And Find A New Way Of Thinking About It| in full.The soundtrack, composed by Seayool Kim, played both inside and outside of the temple.Black vinyl and paint pen drawing on windows.Sculpture with ceramic DayGlo avocados and string titled |Have You Ever Made A Mandala?|Supported by Seongbuk Art Commons in conjunction with Seoul Biennale for Architecture and Urbanism.
Go On, Astral Project Yourself|2017|(2x)122 x 60 x 137 cm||Installation view| Plastic ProjectionsMMCAThe National Museum of Modern and Contemporary Art Residency Changdong, SeoulCast porcelain avocados that are coated in glass bead and resin are elevated in this installation on two plinths that represent an alter-like status, yet are the dimensions are that of a standard kitchen island. Large reels of thread push the height of these plinths to eye level, encouraging a closer inspection of the uncanny handling of everyday objects. The green fabric used to encase the avocado seeds is the same fabric used on construction sites to wrap scaffolding. This element of the installation seeks to further draw on design within the everyday by copying the design of traditional Korean egg baskets that line the eggs in a row separated by natural straw material. Yoga blocks and exercise bands are used as props for the avocados to continue this questioning of visceral bodily pursuits to find contentment within our states of being.
Between You, Me and The Green|2017||Duo exhibition with Hwa Seon Yang|Exhibition card|Hyangsadang 973-2, Samdo-1dong, Jeju-si, Jeju-doIn conjunction with Jeju Culture SummitCurated by Nayun LeeSupported by Jeju Foundation For Arts and Culture
|Solo exhibition| Plastic Projections|2017|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, Seoul
Between You, Me and The Green|2017||Duo exhibition with Hwa Seon Yang||Installation view of sculpture series ||Thank You, Let's Make A More Comfortable Arrangement For Another Day||Green screen fabric cushion|Cast porcelain milk bottle|Volcanic rock|Textiles|Artificial modelling grass|Hyangsadang 973-2, Samdo-1dong, Jeju-si, Jeju-doSupported by Jeju Foundation For Arts and Culture.
Between You, Me and The Green|2017||Duo exhibition with Hwa Seon Yang||Installation view of sculpture series ||Thank You, Let's Make A More Comfortable Arrangement For Another Day||Green screen fabric cushion|Cast porcelain inflatable mannequin leg|Leather glove|Cast porcelain milk bottle| Hyangsadang 973-2, Samdo-1dong, Jeju-si, Jeju-doPainter Hwa Seon Yang and installation artist Emma Corrall present a collection of works that explore notions of escape, intimacy and place. Between You, Me and The Green suggests words whispered between the artworks and the viewers whilst also acknowledging the public sentiment of Hyangsadang as a gathering place. The cultural property of the Hyangsadang would have borne witness to local events and politics dating from 16~17c. The title of the exhibition also dates back to the 16th century as it is derived from an old English saying "Between you, me and the bedpost".The imagery of the phrase is clearly that 'this is between us two; the only other to be allowed into the confidence are seemly inanimate’. With the collaborative installations of work the space of the Hyangsadang is transformed and concurrently reminded of it's past. Hwa Seon Yang's paintings convey a sense of voyeurism from within bushes out to an idyllic otherworldly scene of greens and blues. Corrall presents sculptures amongst a take on traditional cushions, bangsuk, marking a generational shift in everyday choreography.Curated by Nayun LeeSupported by Jeju Foundation For Arts and Culture.
Between You, Me and The Green|2017||Duo exhibition with Hwa Seon Yang||Installation view of sculpture series ||Thank You, Let's Make A More Comfortable Arrangement For Another Day||Scaffolding fabric cushion|Cast porcelain arm armour| Hyangsadang 973-2, Samdo-1dong, Jeju-si, Jeju-doPainter Hwa Seon Yang and installation artist Emma Corrall present a collection of works that explore notions of escape, intimacy and place. Between You, Me and The Green suggests words whispered between the artworks and the viewers whilst also acknowledging the public sentiment of Hyangsadang as a gathering place.Curated by Nayun LeeSupported by Jeju Foundation For Arts and Culture.
Between You, Me and The Green|2017||Duo exhibition with Hwa Seon Yang||Installation view of sculpture series ||Thank You, Let's Make A More Comfortable Arrangement For Another Day||Green screen fabric cushion|Cast porcelain inflatable mannequin leg|Leather glove|Volcanic rock|Textiles| Hyangsadang 973-2, Samdo-1dong, Jeju-si, Jeju-doPainter Hwa Seon Yang and installation artist Emma Corrall present a collection of works that explore notions of escape, intimacy and place. Between You, Me and The Green suggests words whispered between the artworks and the viewers whilst also acknowledging the public sentiment of Hyangsadang as a gathering place.Curated by Nayun LeeSupported by Jeju Foundation For Arts and Culture.
Between You, Me and The Green|2017||Duo exhibition with Hwa Seon Yang||Installation view of sculpture series ||Thank You, Let's Make A More Comfortable Arrangement For Another Day| Hyangsadang 973-2, Samdo-1dong, Jeju-si, Jeju-doPainter Hwa Seon Yang and installation artist Emma Corrall present a collection of works that explore notions of escape, intimacy and place. Between You, Me and The Green suggests words whispered between the artworks and the viewers whilst also acknowledging the public sentiment of Hyangsadang as a gathering place. The cultural property of the Hyangsadang would have borne witness to local events and politics dating from 16~17c. The title of the exhibition also dates back to the 16th century as it is derived from an old English saying "Between you, me and the bedpost".The imagery of the phrase is clearly that 'this is between us two; the only other to be allowed into the confidence are seemly inanimate’. With the collaborative installations of work the space of the Hyangsadang is transformed and concurrently reminded of it's past. Hwa Seon Yang's paintings convey a sense of voyeurism from within bushes out to an idyllic otherworldly scene of greens and blues. Corrall presents sculptures amongst a take on traditional cushions, bangsuk, marking a generational shift in everyday choreography.Curated by Nayun LeeSupported by Jeju Foundation For Arts and Culture.
|Green Screen Paintings|2017||38 x 45.5cm|3D printed: ceramic vase| candle stick holder| nugget sculpture|foliage |Solo exhibition| Plastic Projections|2017|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, Seoul
Go On, Astral Project Yourself|Solo exhibition| Plastic Projections|2017||Installation detail|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, Seoul|Cast porcelain avocados; glass beads,plasticine, resin|Cast avocado stones; nail varnish, marker pen, resin|Textiles|Raffia|Wooden Spoon|Bamboo paper|Leather glove|Cotton thread|Petrified wood|Metal candlestick holder|Scaffolding fabric|Lemon juicer|Bamboo plate
Go On, Astral Project Yourself|Solo exhibition| Plastic Projections|2017||Installation detail|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, Seoul|Cast porcelain avocados; glass beads,plasticine, resin|Cast avocado stones; nail varnish, marker pen, resin|Textiles|Raffia|Wooden Spoon|Bamboo paper|Leather glove|Cotton thread|Petrified wood|Metal candlestick holder|Scaffolding fabric|Lemon juicer|Bamboo plate
Go On, Astral Project Yourself|Solo exhibition| Plastic Projections|2017||Installation detail|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, Seoul|Cast porcelain avocados; glass beads,plasticine, resin|Cast avocado stones; nail varnish, marker pen, resin|Yoga block|Textiles|Plastic chain|Black rubber exercise bands|Metal fork|Bamboo paper|Leather glove
Go On, Astral Project Yourself|Solo exhibition| Plastic Projections|2017||Installation detail|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, Seoul|Cast porcelain avocados; glass beads,plasticine, resin|Cast avocado stones; nail varnish, marker pen, resin|Yoga block|Textiles|Plastic chain|Black rubber exercise bands|Metal fork|Bamboo paper|Leather glove
|DayGlo Avocado|ON|Cast porcelain avocados|DayGlo pigment|StringSolo exhibition| Plastic Projections|2017||Installation detail|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, Seoul
|It Was a Hot Summer With Tents On Balconies|2017||Ceramic glazed mold of lemon juicer|Play mat|One slipper sewn to make two|Glass table top|Ceramic plates|3D printed object|Textiles|Found objects|Exhibited in |Plastic Projections|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, SeoulIncluded in solo exhibition |밥은 먹었니? Have you eaten?||Alter.Ego 399-44 1F Mangwondong,Seoulclick here to view my information about the showSpecial thanks to ClayArch Gimhae for their support
|Installation view|Solo Exhibition|Plastic Projections|Pencilled In Travel Plans|Breakfast, Lunch and Dinner in Bed|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, SeoulIncluded in solo exhibition |밥은 먹었니? Have you eaten?|click here to view more information about the show
|Breakfast, Lunch and Dinner in Bed|2017||PlinthTextiles|Bamboo paper|Ceramic Plates|Sponge|Installation view| Plastic ProjectionsMMCAThe National Museum of Modern and Contemporary Art Residency Changdong, SeoulIncluded in solo exhibition |밥은 먹었니? Have you eaten?|click here to view more information about the show
|Penciled In Travel Plans|2017||33 x 124 x 33 cm|Plinth|Marker Pen|Textiles|Metal mesh|Panels|Ceramics|Acrylic paint|Modeling styrofoam|Pewter casts|Solo exhibition| Plastic Projections|2017||Installation detail|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, Seoul
|Penciled In Travel Plans|2017||33 x 124 x 33 cm|Plinth|Marker Pen|Textiles|Metal mesh|Panels|Ceramics|Acrylic paint|Modeling styrofoam|Pewter casts|Solo exhibition| Plastic Projections|2017||Installation detail|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, Seoul
|It Was a Hot Summer With Tents On Balconies|2017||Ceramic glazed mold of lemon juicer|Play mat|One slipper sewn to make two|Glass table top|Ceramic plates|3D printed object|Textiles|Found objects|Exhibited in |Plastic Projections|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, SeoulIncluded in solo exhibition |밥은 먹었니? Have you eaten?||Alter.Ego 399-44 1F Mangwondong,Seoulclick here to view my information about the showSpecial thanks to ClayArch Gimhae for their support
|It Was a Hot Summer With Tents On Balconies|2017||Ceramic glazed mold of lemon juicer|Play mat|One slipper sewn to make two|Glass table top|Ceramic plates|3D printed object|Textiles|Found objects|Exhibited in |Plastic Projections|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, SeoulIncluded in solo exhibition |밥은 먹었니? Have you eaten?||Alter.Ego 399-44 1F Mangwondong,Seoulclick here to view my information about the showSpecial thanks to ClayArch Gimhae for their support
|There Are 365 Oreums, Plus Three|2017||38 x 45.5cm|Green Felt|Thread|Modelling styrofoam|Board||Solo exhibition| Plastic Projections|2017|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, Seoul
|Go On, Astral Project Yourself|2017|(2x)122 x 60 x 137 cm| Mixed media sculpture|A Couple That Gets Scanned Together Stays Together|Digital Print|(4x) 28 x 35.5cm|Installation view| Solo Exhibition|Plastic ProjectionsMMCAThe National Museum of Modern and Contemporary Art Residency Changdong, Seoul
|Go On, Astral Project Yourself|2017|(2x)122 x 60 x 137 cm| Mixed media sculpture|A Couple That Gets Scanned Together Stays Together|Digital Print|(4x) 28 x 35.5cm|Installation view| Solo Exhibition|Plastic ProjectionsMMCAThe National Museum of Modern and Contemporary Art Residency Changdong, Seoul
|A Couple That Gets Scanned Together Stays Together||2017|Series of 8 Ed.1 28 x 35.5cm|Solo exhibition| Plastic Projections|2017||Installation detail|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, SeoulThis series was made in a quest to search for a connection between the speed of behavioural development with technology and our relationship with projected realities. The work aims to question current experience alongside future hopes.The costumed figure was scanned and printed in a 3D printed process marketed towards capturing sentimental moments; proud graduates holding certificates, a couple holding hands, a fiancé kneeling to capture a proposal. The title of the series is taken directly from the marketing tag line. The costumed doll was set into situations that explored notions of habitual and spiritual practices with no hierarchy between erratic emotions and spiritual enlightenment, the everyday and the artefact.
|A Couple That Gets Scanned Together Stays Together||2017|Series of 8 Ed.1 28 x 35.5cm|Solo exhibition| Plastic Projections|2017||Installation detail|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, SeoulThis series was made in a quest to search for a connection between the speed of behavioural development with technology and our relationship with projected realities. The work aims to question current experience alongside future hopes.The costumed figure was scanned and printed in a 3D printed process marketed towards capturing sentimental moments; proud graduates holding certificates, a couple holding hands, a fiancé kneeling to capture a proposal. The title of the series is taken directly from the marketing tag line. The costumed doll was set into situations that explored notions of habitual and spiritual practices with no hierarchy between erratic emotions and spiritual enlightenment, the everyday and the artefact.
|A Couple That Gets Scanned Together Stays Together||2017|Series of 8 Ed.1 28 x 35.5cm|Solo exhibition| Plastic Projections|2017||Installation detail|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, SeoulThis series was made in a quest to search for a connection between the speed of behavioural development with technology and our relationship with projected realities. The work aims to question current experience alongside future hopes.The costumed figure was scanned and printed in a 3D printed process marketed towards capturing sentimental moments; proud graduates holding certificates, a couple holding hands, a fiancé kneeling to capture a proposal. The title of the series is taken directly from the marketing tag line. The costumed doll was set into situations that explored notions of habitual and spiritual practices with no hierarchy between erratic emotions and spiritual enlightenment, the everyday and the artefact.
|A Couple That Gets Scanned Together Stays Together||2017|Series of 8 Ed.1 28 x 35.5cm|Solo exhibition| Plastic Projections|2017||Installation detail|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, SeoulThis series was made in a quest to search for a connection between the speed of behavioural development with technology and our relationship with projected realities. The work aims to question current experience alongside future hopes.The costumed figure was scanned and printed in a 3D printed process marketed towards capturing sentimental moments; proud graduates holding certificates, a couple holding hands, a fiancé kneeling to capture a proposal. The title of the series is taken directly from the marketing tag line. The costumed doll was set into situations that explored notions of habitual and spiritual practices with no hierarchy between erratic emotions and spiritual enlightenment, the everyday and the artefact.
|Green Screen Paintings|2017||38 x 45.5cm|3D printed: bone|textiles|slipper|fabric bangle |Solo exhibition| Plastic Projections|2017|MMCAThe National Museum of Modern and Contemporary Art Residency Changdong, Seoul
In Programming, What Is A Listener?|2017|Digital Print mounted on perspex and aluminium, Ed. 128 x 36cmExhibited in Kingston Museum'Through Their Eyes: Depicting Korea and UK Then and Now'7 July to 30 September 2017This exhibition celebrates the significant presence of the Korean community in the Royal Borough of Kingston upon Thames and UK-Korean cross cultural appreciation through historical and contemporary artworks.The exhibition showcases over 30 colourful woodblock and etching prints by Paul Jacoulet, Elizabeth Keith, Lilian May Miller and Willy Seiler. These reminiscent prints depict the life, landscapes and events of Korea from the 1920s to 1950s. Alongside these historical prints, four British artists (Matthew John Atkinson, Emma Corrall, Jason Verney and Richard Layzell) present their interpretation of contemporary Korea and specifically New Malden, which is home to the largest Korean community in Europe. Ten Korean artists who live in or have visited the UK, some of whom are Kingston residents, are exhibiting new artworks expressing their experiences and views of life in the UK through different subjects and media. Participating Korean artists are Sarah E. Choi, Eunjung Seo Feleppa, Doyu Min Seo, Sunim, Jee Oh, Yoojin Kim, Manchul Oh, Sungyoung Park, Boreum Oh, and Jeong Min Moon.The exhibition is generously sponsored by the Han Collection and British Korean Society.
In Programming, What Is A Listener?|2017|Digital Print mounted on perspex and aluminium, Ed. 128 x 36cmExhibited in Kingston Museum'Through Their Eyes: Depicting Korea and UK Then and Now'7 July to 30 September 2017This exhibition celebrates the significant presence of the Korean community in the Royal Borough of Kingston upon Thames and UK-Korean cross cultural appreciation through historical and contemporary artworks.The exhibition showcases over 30 colourful woodblock and etching prints by Paul Jacoulet, Elizabeth Keith, Lilian May Miller and Willy Seiler. These reminiscent prints depict the life, landscapes and events of Korea from the 1920s to 1950s. Alongside these historical prints, four British artists (Matthew John Atkinson, Emma Corrall, Jason Verney and Richard Layzell) present their interpretation of contemporary Korea and specifically New Malden, which is home to the largest Korean community in Europe. Ten Korean artists who live in or have visited the UK, some of whom are Kingston residents, are exhibiting new artworks expressing their experiences and views of life in the UK through different subjects and media. Participating Korean artists are Sarah E. Choi, Eunjung Seo Feleppa, Doyu Min Seo, Sunim, Jee Oh, Yoojin Kim, Manchul Oh, Sungyoung Park, Boreum Oh, and Jeong Min Moon.The exhibition is generously sponsored by the Han Collection and British Korean Society.
In Programming, What Is A Listener?|2017|Digital Print mounted on perspex and aluminium, Ed. 128 x 36cmExhibited in Kingston Museum'Through Their Eyes: Depicting Korea and UK Then and Now'7 July to 30 September 2017This exhibition celebrates the significant presence of the Korean community in the Royal Borough of Kingston upon Thames and UK-Korean cross cultural appreciation through historical and contemporary artworks.The exhibition showcases over 30 colourful woodblock and etching prints by Paul Jacoulet, Elizabeth Keith, Lilian May Miller and Willy Seiler. These reminiscent prints depict the life, landscapes and events of Korea from the 1920s to 1950s. Alongside these historical prints, four British artists (Matthew John Atkinson, Emma Corrall, Jason Verney and Richard Layzell) present their interpretation of contemporary Korea and specifically New Malden, which is home to the largest Korean community in Europe. Ten Korean artists who live in or have visited the UK, some of whom are Kingston residents, are exhibiting new artworks expressing their experiences and views of life in the UK through different subjects and media. Participating Korean artists are Sarah E. Choi, Eunjung Seo Feleppa, Doyu Min Seo, Sunim, Jee Oh, Yoojin Kim, Manchul Oh, Sungyoung Park, Boreum Oh, and Jeong Min Moon.The exhibition is generously sponsored by the Han Collection and British Korean Society.
|Bounty|2016||Cast porcelain coconuts|Cast porcelain ginger|Cast porcelain pineapples sand|Perspex|Paint |Ice cream cones |Resin
|The Asphodelus Said 'After the bleak winter a bountiful summer would follow'|2016||Cast porcelain ginger|Resin coated wafers|Florist oasis|Tights|Dried cactus flower|Bamboo|Walking stick stoppers
|Hang-ups, Crutches And Cliff-tops|2016||Cast porcelain inflatable mannequin leg|Exercise bands|Metal coconut shy stand|Hesian|Black hoody|Bone
|You Used To Be So Sweet/ Over Ripe|2016|70 x 70 cm||Collage|Digital print|Plasticine|Acrylic paint|Pen|Resin
|Treasure Me And Add It Up
|2016||Cast porcelain mannequin leg|Wood|Rope|Digital print|Resin|Tape|Tights|Slipper
2016
|Don't Forget Anything As You Leave|2016||Door mat| Deconstructed mops| scourers|Rubber|String|Red wax
|Some Days/Sundaes Are Better Than Others|2016||Ceramics vases|cast ceramic paper cup lids| Acrylic paint|Mop fabric|Raffia|String|Plinth
|And Some Days I Scream/Ice Cream|2016||Cast porcelain inflatable mannequin leg|Acrylic paint|Stockings|Rafia|String|Plinth
Cast Off Coconuts|2015| PorcelainIndividually glazed ed.50 Exhibited in:|2015| SUMMER READY/ SOME ARE READY/ SO READYAcme Project Space LondonAcme press release|2016| In the private collection of Brunswick Arts and Julia Muggenberg
|Hang Ups And Horizons|2016||Cast porcelain mannequin leg|Gold resin ryvita|Acrylic paint|Stockings|Yoga block and strap|Coconut shell birds|Wool
Lost At Sea Digital drawing C Type Metallic Paper Ed.20 42 x 59cm Exhibited in:|2015| SUMMER READY/ SOME ARE READY/ SO READYAcme Project Space LondonAcme press release |2016|UKYA National festival
Wipe Down Digital drawing C Type Metallic Paper Ed.20 42 x 59cm Exhibited in:|2015| SUMMER READY/ SOME ARE READY/ SO READYAcme Project Space LondonAcme press release |2016|UKYA National festival
2015
SUMMER READY/ SOME ARE READY/ SO READY|2015|Solo Exhibition, recipient of 2014-2015 Helen Scott Lidgett Studio Award Installation view of room two in Acme Project Space LondonThe Helen Scott Lidgett Studio Award forms part of Acme Studios’ Residency & Awards Programme and is a partnership initiative between Acme and Central Saint Martins, jointly funded by Acme and the Helen Scott Lidgett Fund.Acme press release
SUMMER READY/ SOME ARE READY/ SO READY|2015|Solo Exhibition Installation view, Acme Project Space LondonSerotonin SearchingDigital printC Type Metallic Paper Ed.20 42 x59cm
SUMMER READY/ SOME ARE READY/ SO READYInstallation view, solo exhibitionAcme Project Space London |2015|Ice Cube Once Asked Me About My SacrumC Type Metallic PaperEd. 20 42 x 59 cm Grecian Pose/PairingPorcelain coconuts, pineapples & avocados, neoprene fabric, anglepoise, shelf
SUMMER READY/ SOME ARE READY/ SO READYInstallation view, solo exhibitionAcme Project Space London |2015|So ReadyPlinths, fabric, sponges, porcelain baby head, bamboo, flowers, mixed media.Acme press release
SUMMER READY/ SOME ARE READY/ SO READY|2015|Installation view, solo exhibition Acme Project Space LondonLow Hanging FruitC Type Metallic Paper Ed. 20 42x59cmTadasama| Foam roller, Yoga block, painted Cows Parsley| Coconut Shy Metal stand, radiator brushes, porcelain coconuts, rubber band, straws, mixed mediaAcme press release
SUMMER READY/ SOME ARE READY/ SO READY|2015|Installation view, solo exhibitionAcme Project Space, 4 Bonner Road, Bethnal Green, London E2 9JSAcme press release
SUMMER READY/ SOME ARE READY/ SO READY |2015|Installation view, solo exhibitionAcme Project Space LondonSummer Ready Mixed media installation: covered deck chairs, cast porcelain coconuts, vases, milk bottles, mops, found objectsAcme press release
SUMMER READY/ SOME ARE READY/ SO READYInstallation view, solo exhibitionAcme Project Space London |2015|Finding The Finishing Touch Quadrant, cast porcelain packaging corners, glass plates, modelling putty, oil sticks, resin, raffia, mixed mediaAcme press release
SUMMER READY/ SOME ARE READY/ SO READY|2015|Installation view, solo exhibitionAcme Project Space, 4 Bonner Road, Bethnal Green, London E2 9JS2014-2015 Recipient of the Helen Scott Lidgett Studio AwardAcme press release
SUMMER READY/ SOME ARE READY/ SO READY|2015|Installation view, solo exhibitionAcme Project Space, 4 Bonner Road, Bethnal Green, London E2 9JS2014-2015 Recipient of the Helen Scott Lidgett Studio AwardAcme press release
Summer Ready/Some Are Ready/ So ReadyInvitation card 27 November to 20 December 2015Solo exhibitionSummer Ready/ Some Are Ready/ So Ready is an exhibition of new work by Emma Corrall, the 2014-15 recipient of the Helen Scott Lidgett Studio Award.Implementing cultural techniques that operate between art and anthropology, retail and the fitness and health industry, Emma’s practice poses questions around consumer culture, object ontologies and biopolitics.Working across video, sculpture, ceramics and digital prints the installation proposes a space deeply permeated with human touch and desire. The materiality of each medium employed is presented in a direct relationship with physicality to construct a non-hierarchical environment.The Helen Scott Lidgett Studio Award forms part of Acme Studios’ Residency & Awards Programme and is a partnership initiative between Acme and Central Saint Martins, jointly funded by Acme and the Helen Scott Lidgett Fund. It provides a rent free studio for twelve months, a stipend, as well as mentoring and exhibiting opportunities.Acme Project Space 44 Bonner Road, Bethnal Green, London E2 9JS Special thanks to Arran Scott Lidgett at e-i-b
Ice Cube Once Asked Me About My Sacrum|2015|C Type Metallic Paper Ed.20 42 x 59cm Exhibited in:|2015| SUMMER READY/ SOME ARE READY/ SO READYAcme Project Space LondonAcme press release
Put Your Loving Arms Around Me|2015| (Film Still)Acme website commissionFull video 01.57min
Come Around|2015| Digital drawing C Type Metallic Paper Ed.20 42 x 59cm Exhibited in:|2015| SUMMER READY/ SOME ARE READY/ SO READYAcme Project Space LondonAcme press release |2016|UKYA National festival
Christopher Kane Gave This To Me|2015| Digital drawing C Type Metallic Paper Ed.20 42 x 59cm Exhibited in:|2015| SUMMER READY/ SOME ARE READY/ SO READYAcme Project Space LondonAcme press release |2016|UKYA National festival
Clean Up After|2015|C Type Metallic Paper Ed.5 42 x 59cm
Packed Up|2015| Digital drawing C Type Metallic Paper Ed.20 42 x 59cm Exhibited in:|2015| SUMMER READY/ SOME ARE READY/ SO READYAcme Project Space LondonAcme press release |2016|UKYA National festival In the private collection of Brunswick Arts
I Need You To Work On My Presentation Digital drawing C Type Metallic Paper Ed.20 42 x 59cm Exhibited in:|2015| SUMMER READY/ SOME ARE READY/ SO READYAcme Project Space LondonAcme press release |2016|UKYA National festival
Low Hanging Fruit|2015|C Type Metallic Paper Ed.20 42 x 59cm Exhibited in:|2015| SUMMER READY/ SOME ARE READY/ SO READYAcme Project Space LondonAcme press release
Serotonin Searching|2015|C Type Metallic Paper Ed.20 42 x 59cm Exhibited in:|2015| SUMMER READY/ SOME ARE READY/ SO READYAcme Project Space LondonAcme press release
2014
On Baking A Cake Bamboolino |2014|Mixed media installationFull video here (4.05mins)Featured in: |2015|DAZED 'Introducing 40 of the UK’s most promising artists' View article here|2015|Catlin Art Guide|2016| University of the Arts London Blog
Bamboolino|2014| Video stillFull video here (4.05mins)Featured in:|2015| DAZED 'Introducing 40 of the UK’s most promising artists' 2015View article here |2015|Catlin Art Guide
Office Hands|2014|C Type on archival paper 42 x 59.4cm Ed.5
Robust |2014|Digital print42 x 59.4cm Ed.5 Featured in Catlin Art Guide 2015
Working From Home|2014| Digital drawing C Type Metallic Paper Ed.20 42 x 59cm
3
Karaoke video collaboration with Eliza Swann for CKTV curated by Cleopatras Gallery at Brooklyn Academy of MusicMar 27—May 10, 2013 Follow Me ( 04.10 min) videoSee the full video here.Press release: Cleopatra’s and Chris Rice are proud to introduce CKTV, an immersive exhibition of sound, video, and performance featuring karaoke videos created by an expansive roster of artists. The presentation in BAM’s gallery space comes in the form of a looping video installation, in which each work has the opportunity to exist at its most concentrated format, accompanied by a song of the artist’s choice. Accompanying the exhibition will be a one-night event of audience participation karaoke that is open to the public. Previous installments of CKTV took place in the Brooklyn Pavilion at the 2012 Shanghai Biennale and as an evening of performance at the Tandem bar in Bushwick.
2013
Faust Was Right Have No Regret2013Giclée print Ed.529.7 x21 cm Sold and exhibited in Central Saint Martins Charity Auction 2013, selected alongside alumni including Antony Gormley, Cathy Lomax, Grayson Perry, Mona Hatoum, Raqib Shaw and Yinka Shonibare. See full list of artists included here. Film still from a karaoke video collaboration with Eliza Swann for CKTV curated by Cleopatras Gallery at Brooklyn Academy of MusicPlease click here to view full video.
Jackie O's|2012||Sunglasses|Plaster|Internet Cable
Edge Close and Listen In|2012|Ceramic|Wire|Plaster
Edge Close and Listen In
Bobby From Baltimore
Bobby from baltimore
(In)dispensable |2012|Mixed media installationHELIOPOLIS PROUDLY PRESENTSDO IT AWAKE! - On Mysterious Mountain'The mountains got tiredOf sitting amongst a sleeping audience' - HafizEMMA CORRALL|MOLLIE MCKINLEY|ELIZA SWANNOpening Reception Wednesday September 5th 7-10pmAt The Heliopolis Project154 Huron St, Brooklyn,NY 11222Press release
See That They Have A Good TimeCeramic tray, series of six for 'Die Chic Boutique- Kunst Mit Funktion' Exhibited in ADDS DONNA Chicago 3252 W. North Avenue May 26 - June 30, 2013Click to see Die Chic Boutique in ADDS DONNA Gallery Chicago dieAusstellungsstrasse Vienna April 20th-June 10th 2012 Click to see Die Chic Boutique in Vienna
See That They Have A Good TimeCeramic tray, series of six for 'Die Chic Boutique- Kunst Mit Funktion' Exhibited in ADDS DONNA Chicago 3252 W. North Avenue May 26 - June 30, 2013Click to see Die Chic Boutique in ADDS DONNA Gallery Chicago dieAusstellungsstrasse Vienna April 20th-June 10th 2012 Click to see Die Chic Boutique in Vienna
See That They Have A Good TimeCeramic tray, series of six for 'Die Chic Boutique- Kunst Mit Funktion' Exhibited in ADDS DONNA Chicago 3252 W. North Avenue May 26 - June 30, 2013Click to see Die Chic Boutique in ADDS DONNA Gallery Chicago dieAusstellungsstrasse Vienna April 20th-June 10th 2012 Click to see Die Chic Boutique in Vienna
See That They Have A Good TimeCeramic tray, series of six for 'Die Chic Boutique- Kunst Mit Funktion' Exhibited in ADDS DONNA Chicago 3252 W. North Avenue May 26 - June 30, 2013Click to see Die Chic Boutique in ADDS DONNA Gallery Chicago dieAusstellungsstrasse Vienna April 20th-June 10th 2012 Click to see Die Chic Boutique in Vienna
See That They Have A Good TimeCeramic tray, series of six for 'Die Chic Boutique- Kunst Mit Funktion' Exhibited in ADDS DONNA Chicago 3252 W. North Avenue May 26 - June 30, 2013Click to see Die Chic Boutique in ADDS DONNA Gallery Chicago dieAusstellungsstrasse Vienna April 20th-June 10th 2012 Click to see Die Chic Boutique in Vienna
See That They Have A Good TimeCeramic tray, series of six for 'Die Chic Boutique- Kunst Mit Funktion' Exhibited in ADDS DONNA Chicago 3252 W. North Avenue May 26 - June 30, 2013Click to see Die Chic Boutique in ADDS DONNA Gallery Chicago dieAusstellungsstrasse Vienna April 20th-June 10th 2012 Click to see Die Chic Boutique in Vienna
Rock l'aquarelle
Mamma's Mountain
emma-0534-900x720
Tonight's Mountain
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